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For the Beauty of the Earth CD
Exquisite solo piano hymns and spirituals in a range of styles including jazz, classical, boogie, funk and quiet ballads.

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CD $15.00
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Since this is the final release in my trilogy of hymns and spirituals for solo jazz piano, I wanted to give it a personal feel. Throwing stylistic considerations out the window, I drew instead on all my musical influences to create arrangements that drew on jazz, classical, boogie, funk and quiet ballads. - Bradley Sowash

This CD is for you if you enjoy a jazzy mix of moods and genres.  Plus the bonus tracks showcase Sowash's vast stylistic range with sample tracks from previous releases. 56:10

sound.gif (924 bytes)Tracks and Samples
1. Glory, Glory Hallelujah mp3-tiny.gif (160 bytes)
2. Doxology
3. For the Beauty of the Earth mp3-tiny.gif (160 bytes)
4. Shall We Gather By The River
5. Standin’ In The Need of Prayer
6. Just As I Am/Sanctus
7. By and By
8. This Little Light of Mine
9. Go Down Moses
10. The Ash Grove

Bonus Tracks
11. Take It On Faith
12. America mp3-tiny.gif (160 bytes)
13. Steps To The Soul mp3-tiny.gif (160 bytes)
14. Amazing Grace

Related Product

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Sheet Music

This companion book includes all of the tunes on the CD except for the bonus tracks.

* Internet Special
(click covers for details)

All three hymns & spirituals for solo jazz piano
BeautyCoverSmall.jpg (6361 bytes) Saints.jpg (15575 bytes) (c) 2001 Bradley Sowash Music
3 CDs $39.99
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* To take advantage of this discount, please  use the "Add to Cart" button above.
Ordering these products individually will result in a higher price.

Customer Comments
"I wanted to email and express my thanks and appreciation for the hymns and spirituals jazz compilations you have completed. As a law student, I am only able to play music which contain no lyrics, as not to distract me from my reading and studies. With jazz as my favorite genre (and piano jazz specifically), I have always been particularly interested in finding an artist that records classic hymns in a jazz arrangement. Your trilogy of CDs are truly wonderful compositions and I do thank you for taking time and effort to arrange these pieces. I do hope that in the future you are able to release more CDs of this variety; there are so many hymns that I love so much that would fit wonderfully with this jazz style." - Seth, Hawaii

"You've done it again!  I'm enjoying this one as much as the last.  Keep it up!" - Marion D., Ohio

"Great pianist!  OOH! WOW! GOD giveth Bradley Sowash a talent to play the piano." - Andy, Malaysia

Reviews
Solo Piano Publications
"For the Beauty of the Earth" is the third volume in Bradley Sowash's trilogy of solo piano jazz arrangements of hymns and spirituals. There are ten new tracks and four bonus tracks of previously re-leased songs from other albums. Sowash has a real gift for taking these mostly-familiar church tunes and giving them new life, keeping the melodies intact, but changing rhythms, adding improvisational passages, and infusing them with pure spiritual joy. An extraordinary pianist, Sowash's technique, skills, and heart allow him to freely express himself in many different styles and genres, making him one of the best "piano guys" out there.

"Glory, Glory Hallelujah" has an infectious boogie woogie beat and dances right out of the CD player. "For the Beauty of the Earth" begins traditionally, and then Sowash improvises on the theme, allowing the music to go where it will, with the melody weaving in and out - a really nice arrangement! "Shall We Gather By the River" is darker and more introspective - also very effective. "Just As I Am/ Sanctus" is given a bluesy treatment that really works. "This Little Light of Mine" was a surprise. This is possibly the most improvised of the pieces on the album. I have always thought of this as a children's hymn, and this arrangement has a much more "seasoned" flavor that I really like. "Go Down Moses" is dark, rhythmic, and also very improvised - my favorite track. Other titles include "Doxology," "Amazing Grace," "America," and "By and By."

This is obviously not a standard collection of "pretty" hymns played on the piano. These arrangements are bold and very personal musical statements by someone who knows and understands the piano and the music inside out. I love all three volumes in this series, and kind of hate to see it end. Highly recommended! - Kathy Parsons

ChristianityToday.com
Ohio's Bradley Sowash is familiar to PBS viewers as a regular guest on "The Piano Guy," as well as NPR listeners who have heard his recordings regularly played on "Morning Edition." A composer, educator, and acclaimed pianist, Sowash has toured concert halls and churches alike for more than twenty years. He's recorded six instrumental albums, but this is his third disc of hymns and spirituals for jazz piano in the last four years—and reportedly his final, since it completes a trilogy. Those who enjoyed Chris Rice's Living Room Sessions albums will love this. Sowash's technique incorporates more jazz, which makes it a more lively experience suitable for active or passing listening. Sowash gives a boogie-woogie feel to "Glory, Glory Hallelujah" while gliding through some bluesy runs in the title track and "Go Down Moses." Other highlights include a breezy, bouncy take on "This Little Light of Mine" and a playfully varied "Doxology." Sowash goes the extra mile by offering more than a pretty collection of hymn arrangements. He remains true to the familiar melodies, yet infuses them with personality for an artistically refreshing worship experience. - Russ Breimeier

All About Jazz
Jazz has always had a close tie to religion, from its roots in gospel music and spirituals to the divine musical quests of Coltrane and the Sacred Concerts of Ellington. However, few artists have mined the hymnal directly for source material, and fewer still have then recorded albums that have reflection and meditation as their key goal.

Bradley Sowash has dedicated part of his career to playing religious music in a jazz context. For the Beauty of the Earth is the third in a series of solo piano readings of religious music, and many of these tunes, like “Doxology” and “This Little Light of Mine” will be familiar even to casual churchgoers. Sowash doesn’t wander too far off from the melody of any of these tunes, but this is as it should be—he isn’t using this music as a jumping off point, but rather a chamber filled with endless new ideas. Triumphant hymns become introspective washes with floating chords and stolid, reverent songs of praise get a kick of stride. He reworks the melodies slightly, adding new melodic ideas to these old hymns, played with a lovely, crystalline texture reminiscent of George Winston with a little more swing.

As wonderful as it is, this recording would sound out of place as background music at a dinner party. Instead, this is a Sunday morning CD, much more welcome with a cup of coffee than a glass of wine. Sowash designs his music to be part of the religious fabric, and in the end whether or not you like this recording depends on your interest in music with this in mind. He intends his playing to be inwardly fulfilling for himself as well as spiritually rewarding for the listener, but at the very least he accomplishes what many jazz musicians set out to do: take familiar songs and rework them into a pleasant listening experience. - David Rickert

All About Jazz
If there’s a prototypical album for Starbucks to play on Sunday mornings, this is it. Whether that’s a good or bad thing will ultimately shape opinions about Bradley Sowash’s For The Beauty Of The Earth. He performs the fourteen solo piano hymns and spirituals well with a sprinkling of personal accents and a lively contemporary sound, but little overall departure from the actual compositions. It is, essentially, a gifted lounge pianist taking his Saturday evening gig to church the next morning.

Sowash, an Ohio concert pianist and music teacher, describes his music as “somewhere on the musical spectrum between Ellington's playfulness and Beethoven's romanticism.” The final release in a trio of solo spiritual collections is promoted as having “a decidedly personal feel” and features four songs at the end from previous albums.

All of the songs are well-known and immediately recognizable, with Sowash dressing melodies up with embellishments and flourishes of varying styles. The common theme is a dramatic left hand with a more free-spirited right one. He gives a heavy boogie-woogie bass to “Glory, Glory Hallelujah” and a pounding blues beat to “Go Down Moses.” “This Little Light Of Mine” has a playful rolling quality in both the bass and melody lines. “Shall We Gather By The River” possesses a slow and slightly bluesy mournfulness, while “Doxology” has something of a New Age quality that might easily be mistaken for a Dave Grusin soundtrack score.

There’s little doubt this album will resonate with the audience Sowash appears to be aiming for: casual listeners seeking a pleasant if unchallenging background of spirituals. It is hardly an accomplishment of musical innovation but, having chosen his mission, he fulfills it with a sincere touch. - Mark Sabbatini

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© April 04, 2008 Bradley Sowash Music, All Rights Reserved